Joan was alone again for a while. A handsome girl, with her hair cut short and parted at the side, was discussing diseases of the spine with a curly-headed young man in a velvet suit. The gentleman was describing some of the effects in detail. Joan felt there was danger of her being taken ill if she listened any longer; and seeing Madge’s brother near the door, and unoccupied, she made her way across to him. “But now I’m thirty-five; and I couldn’t love you if I tried.” She shook her curls at him. “It isn’t your fault. It is that I have changed. Suppose I’d married you?”!

“What do you gather is the general opinion?” Joan asked. “That he will succeed?” “We tried to pretend it was only one of Jack’s little jokes,” explained Greyson as he folded up the cutting; “but it wouldn’t work. It was too near the truth.”

In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “I wish I’d taken more interest in politics when I was young,” said Mrs. Phillips. “Of course, when I was a girl, women weren’t supposed to.” “She was studying for the stage,” he answered. “Paris was the only school in those days. I was at Julien’s studio. We acted together for some charity. I had always been fond of it. An American manager who was present offered us both an engagement, and I thought it would be a change and that I could combine the two arts.”